5 Classic 90’s Films To Watch on Criterion Channel

Party Girl

When you hear “Criterion Collection” immediately you know how culturally significant and cinematically important a film is if it’s included within the Criterion Collection. Their curations feature international contemporary and classic films and documentaries  that fit within a time capsule of filmmaking greatness. There are no big budgets box office titles to choose from, instead you are presented with the most unique, finest and worthwhile storytelling told by talented writers and directors.

Metropolitan by Walt Whitman

METROPOLITAN

Metropolitan by Whit Stillman (1990): A group of New York City friends gather together in uptown soirées during the winter holidays. Debutante balls, Upper East Side townhomes with parents never in sight, nobody asking “you wanna split a cab?” A lot of tulle party dresses, self-owned tuxes (except one rental) and a ton of deep thought yet pretentious discussions on the current state of affairs of all things above East 62nd Street to the Hamptons. And one of these friends is not like the other. 

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Chunking Express

CHUNKING EXPRESS

CHUNKING EXPRESS by Wong Kar Wai (1995): A cinematic masterpiece that takes place in the bustling city of Hong Kong. It follows two storylines, both involving 2 love jilted and heartbroken police officers who finds sparks of romantic interests in women the complete opposite of their normal taste. Both women are alluring in their own right, an indie girl working at late night snack food stand and a mysterious, very chic woman who goes undercover in the night.  

PARTY GIRL

Party Girl by Daisy von Sherler Mayer (1995): A cult classic of the hey days of downtown Manhattan starring the original indie queen Parker Posey. This film is a time capsule of New York’s downtown club scene and what it was really like to be a single girl in Manhattan (in the most non-Carrie Bradshaw fashion), because Mary (Parker Posey) works for a living and parties like her life depended on it. And it kind of does as the plot proves in the comedic storyline. Come for the old Manhattan life and stay for Mary’s amazing 90’s fashion.

THE DAYTRIPPERS

The Daytrippers by Greg Mottola (1997): This film offers a slow burn but without the slowness, if that makes any sense. For a film debut by the writer and director Greg Mottola, it is a character study of a tight-knit Long Island family going through different changes in each of their lives, yet they stick together like glue through their troubles. You also get worthwhile performances from a ‘before they were stars’ perspective such as with a young Stanley Tucci (with hair), Liev Schrieber and Hope Davis. And of course it’s just not a 90’s New York indie film without Parker Posey. The Daytrippers takes you on what wasn’t meant to be a family day out and about in New York City that turns out to be set with mini-adventures around every corner, hijinks and some self-discovery.

 
Paris is Burning

PARIS IS BURNING

Paris is Burning by Jennie Livingston (1990): A historical documentary on the birth of Vogueing and the LGBTQ ballroom culture. Set in Manhattan when HIV/AIDS were rampant with no government aid or cure in sight and an outright lack of compassion for the LGBTQ community during a time of uncertainty. Yet this close knit community that became its own family created a safe space where they were able to be whatever they wanted to be. It’s an important film to watch to understand the path that laid before LGBTQ and their ongoing fight for human equality. 


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